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・ The Slaughterhouse
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・ The Slav Epic
・ The Slave (1917 comedy film)
・ The Slave (1917 drama film)
・ The Slave (1918 film)
・ The Slave (1962 film)
・ The Slave (Isaac Bashevis Singer novel)
・ The Slave (Petipa/Pugni)
・ The Slave Community
・ The Slave Dancer
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・ The Slave Girl (play)
・ The Slave Hunters
The Slave Market
・ The Slave Market (film)
・ The Slave Mother
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・ The Slave Ship
・ The Slave Ship (film)
・ The Slave's Friend
・ The Slave's Lament
・ The Slave-girl from Jerusalem
・ The Slavefarm
・ The Slaver Weapon
・ The Slaves of Solitude
・ The Slavonic and East European Review
・ The Slay Stack Grows
・ The Slayer (film)


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The Slave Market : ウィキペディア英語版
The Slave Market

''The Slave Market'' is a painting of about 1882 by the 19th century French artist Gustave Boulanger, who specialized in classical and Orientalist genre scenes.〔Masler, 39〕 It depicts an Ancient Roman slave auction. It shows the marketing of seven young people, ranging in age from children to young adults, as slaves. Both male slaves, as well as three of the female slaves, bear a similarity in appearance perhaps suggesting that they are members of a family forced into slavery by economic conditions. All are wearing tags to indicate their availability as slaves. The youngest boy is completely naked, while the young man next to him is wearing a loincloth. The young woman sitting next to them is topless, wearing only a skirt, but she is covering her breasts with her legs. The standing African woman is also topless, wearing a white loincloth, and she is covering her breasts with her hands. The taller, standing, young woman is wearing a translucent garment which clearly shows her breasts and pubic hair—she is trying to shield her eyes, perhaps because her potential buyers include former friends and neighbors, who are probably seeing her nude for the first time. The adolescent girl next to her is also topless and barefoot, wearing a skirt. The young woman sitting next to them is wearing a loose garment which leaves both her breasts and her genitals exposed. The auctioneer eats his lunch with a very casual attitude.
From a common type of Salon academic art of the period, it depicts an eroticized scene clad as a history painting, as was customary at the time in Paris. Boulanger had visited Italy, Greece, and North Africa, and the painting reflects his attention to culturally correct details and skill in rendering the female form.
==References==


抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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